Inspired by the genius of Jack Kirby, and Frank Miller, this series connects the hyperbole of comics with that of social media. Melodramatic hands mirror the imaginary power we ascribe to likes, followers, friends and tweets.
This series takes queues from the likes of Paul Rand and Saul Bass. Here, playful hyper-minimalism seductively exposes the cold underbelly of our attention economy.
This series harkens the International Design of the 1960s and 1970s and the symbols documented by Henry Dreyfuss. Each piece humorously captures the love and disdain we feel for our devices as they addict, distract and consume us.